Hello, readers! I had a great holiday season. Thanks for not asking.
;) In all seriousness, I feel pretty good and am ready for a new year
with our blog posts. So here we go.
Epilogues: love them or hate them. Simple, right? I don’t think so.
Most people, if asked, would probably reply with something that had a
“but…” attached to it. Well in my experience, I’ve realized that
epilogues have a tough job. They sit at the very end of a book, at which
point a reader is often feeling some sort of extreme emotion. And they
have to do a few things (ideally). That’s hard. So maybe we should give
epilogues and writers who choose to add them a little slack. More likely
than not, they’ve got some purpose. Even if it’s teeny tiny and you
don’t understand it.
Okay, so here are two basic goals of an epilogue:
1) Foreshadow events, or add indefinite mystery, in a brief extension
of the conclusion. (Essentially stands as a stepping stone between a
book 1 and a book 2. But if there won’t be a sequel, it can help to make
the reader guess what happens next.)
2) Wrap up an entire series; highlight important lessons or central
ideas and characters for the last time. (Arguably a writer’s last chance
to address the reader in a meaningful way; applies especially to
multiple-book series.)
So the question is: how does one write an epilogue? What makes it
effective? Boring? Weird? I suppose the effectiveness of an epilogue, as
are many things in the world of literature, is a matter of perspective
and personal experiences that influence such perspective. What may seem
like a good epilogue to one person could be seen as a total failure by
another.
It’s important to keep in mind that when writing a story, you can
never truly please everyone. So don’t try. Write what you love, what
works for your characters and world. Encourage people to give their
feedback, but don’t give them all the control. The writer is, after all,
the master of its pen, is it not?
A few things to look for (or consider writing) in an epilogue are as
follows: important information or event(s), absence of an old character
or presence of a new one, passage of time, new setting…and I think I’ll
stop there. An epilogue is usually quite short, maybe a chapter or less,
depending. So if the climax has happened, the falling action and
finally some kind of conclusion…as a writer, I might want to tease the
reader with a peek at a new character. Say, a short conversation or some
other encounter. But make it exciting, suspenseful, even a little
bizarre. If it’s too boring or slow, then the reader might wonder why
the epilogue is there in the first place.
If characters A and B fell in love, slayed a dragon and then went to a
new city, we don’t need to know in an epilogue that they ate dinner and
bought a blanket. That's neither thrilling nor does it tell us much about what might happen in the future. Show us rather, that their new lodging was set on
fire or that they became separated by a rough crowd. See a difference? Or if it's the end of a series, of a fourth book perhaps, include something bittersweet. A reflection on everything that happened over the course of the series, but still a hope for the future.
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